Album Of The Day: Dwarr - Animals


Kategorie: Roadburn Festival
geschrieben von: Roadburn Festival geschrieben am: 28.11.2010 um: 06:55 Uhr

Praise for Dwarr‘s Animals from San Francisco’s Aquarius Records: Eccentric outsider doom metal from the ’80s, from waaaaaay down underground. Now hold up, if the words “doom” or “metal” make you think, not for me, think again (maybe). This isn’t like any metal you’ve ever heard, really. More like spaced out ’60s heavy psychedelic guitar rock (one song’s called “Heavy Vibrations”, man), overloaded also with shrill synth symphonics and trippy effects…

That’s where the “outsider” tag comes in, Dwarr being a one-man band, all the work of South Carolina multi-instrumentalist (but especially guitar!) Duane Warr (hence the name Dwarr), whom we get the impression is quite a character. It’s so DIY that the CDs have his phone number on ‘em, in case you want to get in touch. His privately pressed music comes off like a cough-syrup dosed mixture of Black Sabbath and Todd Tamanend Clark (whom you should know from the double CD anthology we raved about a few years ago). Or, The Happy Dragon Band playing Pink Floyd, from beyond the grave. Maybe a lo-fi Captain Beyond, on even more drugs than Captain Beyond were ever on. Or imagine if Bobb Trimble was an ’80s metaller, perhaps (and worked out in the gym a lot more?). Sorry to use so many almost equally obscure references, but it’s hard to compare this confusional beast to anything else.

Look at that insane cover painting, a surreal post-apocalyptic landscape (that’s a malevolent-looking Statue of Liberty sunken in polluted looking water next to a cave populated by long-haired, skull-faced cannibalistic mutants, with an avatar of Dwarr himself, we’re guessing, striking a heroic he-man pose in the upper right hand corner). The music itself is as surreal and apocalyptic and ridiculous as that image, matching up to it much more than most other “metal” albums ever match up to their cover art, both in subject matter and, ah, execution.

Just from the cover painting, let alone the music, this Dwarr album is SO perfectly Aquarius, you’d almost think we made it up. But no, Dwarr’s for real, something we’d vaguely heard tell of and been curious about for years, and finally went to the trouble of tracking down (not so hard, thanks to the Internet, now that everybody and their grandmother’s bands are on MySpace). And lo and behold, it turned out Dwarr had issued ALL four of his albums (two from the ’80s, two from the ’00s, believe it or not!) on compact disc. So we had to get a bunch of this one, his second, from 1986, probably his best and “heaviest”. A Record Of The Week, easy.

There’s 13 tracks, each one incredible (or incredibly strange). There’s nothing that’s NOT freaked out about this. Even the poppiest songs (like the title track “Animals”) are full of sluggish grooves, druggy lyrics, buzzing electronics, melodic stoned vocals, acid rock guitar (and acid WTF synth). Elsewhere it gets away from rock / metal song structure entirely, with interludes of eerie atmospherics, spacey soundscapes overlaid with ominous whispered declamations, and weirdass instrumentals, like the squirrelly, proggy bombast of “Chocolate Mescalyne”, a track that if you sped it up a lot would almost fit in on a Orthrelm album.

And then there’s the DOOM. Oh yeah, while it’s not “normal” doom it IS doom. Sludgy, Sabbath-riffed doom indeed, despite the trebly production. “Ghost Lover”, for instance, gives us the feel of both the Sabs’ “Iron Man” and “Electric Funeral”, and Duane’s vocals are particularly Ozzy-ish on the uber-heavy “Evil Lures” too… Great stuff if you really really appreciate the stranger, more psychedelic aspects of true doom artistry, the spirit is HERE.
Three cheers for avant garde new wave downer rock hippie heavy metal weirdness! That gives special thanks “to the Columbia High School Band for the use of their percussion instruments”.

We are so pleased to play a role in sharing this culter than cult classic with you, which by the way comes in fairly no-frills packaging, the cd in a thin cardboard sleeve with full-color album art front and back but no lyrics, liner notes, nothin’ like that. It’s pretty cheap though. Not that you should need any further incentive to pick this up, after reading our ravings above.

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