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Softly softly” is not a maxim that King King are familiar with. Since surging into life two years ago they have barely stopped for breath, and their electrifying sound and scorching live shows have generated more of a thunderous roar than a buzz.
Straight out of the blocks it was clear that King King is a band which knows how to make an entrance. An exhilarating debut at the Monaghan Blues Festival created such a stir that it prompted organizer Somhairle MacConghail to remark: “King King aren’t just playing the festival. Word is that King King ARE the festival”. With a reception like this there’s little surprise that the phone has been ringing off the hook ever since, and the last year has seen them bring their inimitable brand of multi-faceted blues rock to the Great British Rhythm and Blues Festival, the Edinburgh Jazz and Blues Festival, Abertillery Festival and even Glastonbury. This was in addition to a seemingly non-stop series of rousing live shows across the UK and Europe, much to the delight of the band’s burgeoning fan base.
In the midst of all this, a particular highlight of 2010 was King King’s invitation to perform within the hallowed walls of the BBC’s Maida Vale studios. The boys’ set went out on Radio 2 and won the approval of DJ and blues aficionado Paul Jones who was moved to remark: “Here at Radio 2, we think Alan Nimmo and King King are going to go all the way”.
Having signed to Manhaton Records, next came a return to Chapel Studios to record the eagerly anticipated debut album. King King are familiar faces having recorded their critically acclaimed EP Broken Heal at the studio, and again collaborated with the production team behind the Arctic Monkeys, Kaiser Chiefs and the Editors.
The resulting album, Take My Hand, is a bold and wildly enjoyable collection of songs showcasing King King’s unique sound, swaggering from Stones-tinged blues rock through throbbing funk to reflective ballad and back.
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